14 Eylül 2012 Cuma

Sunday Afternoon in Fort Greene/Brooklyn Navy Yard: The 2012 Afropunk Festival at Commodore Barry Park

To contact us Click HERE
We were able to get to at least a few hours of the second day of the wonderful Afropunk Festival at Commodore Barry Park.Joining the exuberant audiences for some terrific bands who were not headliners, we got to see exciting performances by Phony Ppl,Flatbush Zombiesand the adorable Gordon Voidwell.We had another great time at the Afropunk Festival, which has included a lot of fun and even some transcendent moments sharing the music as well as all the other things to do and see. It was also really nice in these times to see so many people just totally enjoying themselves. That means a lot. Really.Last year so many people were disappointed when Hurricane Irene forced the cancellation of the 2011 Afropunk Festival. (This year's tropical storm is disrupting only the less important but much more evil Republican National Convention.) We are very grateful indeed that the weather was great for this year's Afropunk fest, and even more grateful we got to spend time there.

Monday Night on the Lower East Side: SummerStage presents The Faux-Real Theatre Company's "Jason and the Argonauts" at East River Park

To contact us Click HERE
Tonight at East River Park we saw another great SummerStage presentation by the Faux-Real Theatre Company, Jason and the Argonauts, a wildly innovative and dramatically compelling adaptation of Apollonius Rhodius's epic The Argonautia as translated by Aaron Poochigian. Directed by Mark Greenfield, the narrative of the digressive and oddly postmodern poem, with a seemingly endless number of characters and adventures, works spectacularly well in making this semi-obscure work of the third century B.C.E. comprehensible and truly exciting for a contemporary audience. As the retelling of the legend of Jason and the Golden Fleece, a kid's story it's not. (But it also is.)

Saturday Afternoon in Chelsea: Horrific Subway Accident at 23td Street-Eighth Avenue Station

To contact us Click HERE
At noon today we had just finished teaching our class at Fashion Institute of Technology and were on our way to the subway entrance at Eighth Avenue and West 25th Street for the 23rd Street stop when we saw the tragic aftermath of what looked like a horrific subway accident.
Some people in the crowd said a person was hit by a train, and we saw firefighters and paramedics bring up someone on a stretcher, transfer the person to a wheeled cart, where some began the movements of CPR and hustled the person into an ambulance.
There were dozens of fire trucks and other vehicles, a couple of ambulances, and several police cars, along with many, many first responders.
They all looked grim. What a horror, whatever happened. We haven't been able to see anything anything about it on the news. An old woman with a granny cart came over and said, "You're taking pictures of this? You should be ashamed of yourself!" We said nothing and walked to Sixth Avenue, where the A, C and E trains had been rerouted.
* * *
UPDATE: Gothamist said the person died, that it may have been a suicide. Very sad.
Death was defiance. Death was an attempt to communicate; people feeling the impossibility of reaching the centre which, mystically, evaded them; closeness drew apart; rapture faded, one was alone. There was an embrace in death.

Richard Grayson Wins Nomination of Americans Elect Party in Arizona's Fourth Congressional District Primary

To contact us Click HERE
This afternoon the office of the Arizona Secretary of State released its official canvass of the August 28 primary. It shows that we won the Americans Elect Party primary in Arizona's Fourth Congressional District and says we have been nominated by that party to be its candidate on the November ballot.
We received 11 write-in votes. Sincere thanks to the four voters in Mohave County, the three voters in our home county of Pinal, the two voters in Yuma County, the one voter in Yavapai County and the one voter in La Paz County for writing in our name on the primary ballot.

The other candidates running are Republican Congressman Paul Gosar; Libertarian Joe Pamelia; and the winner of the recount in the Democratic primary between Johnnie Robinson and Mikel Weisser, currently separated by just 19 votes.

In 2010 we won the Green Party primary in Arizona's Sixth Congressional District but were promptly sued by the Arizona Green Party in federal court, alleging we were a "sham" Green Party candidate. We won and were on the November ballot in 2010, getting about 1.4% of the vote in another heavily Republican district.

Tuesday Afternoon in Lower Manhattan: Port Authority Police Bagpipers Commemorate September 11, 2001

To contact us Click HERE
At 1:20 p.m. we were coming out of the subway on Murray and Church Streets on our way to teach creative writing at Borough of Manhattan Community College when we stopped to watch and listen to the mournful sounds of the Port Authority police bagpipe band commemorate the dead of September 11, 2001.
Our class meets at the newly rebuilt Fiterman Hall, which opened two weeks ago, replacing the old Fiterman Hall, which was damaged beyond repair by the collapse of 7 World Trade Center.  It was very hard not to think about that day eleven years ago.

14 Ağustos 2012 Salı

K O S T A S SAHPAZIS @MELAS/PAPADOPOULOS Gallery, Athens

To contact us Click HERE
Kostas Sahpazis, Let's Meet at 3am, 2012
Red and blue fluorescent tubes, canes, insulation
material, fittings, cabling and transformer
Photograph by Katy Hamer
For his first solo exhibition at Melas Papadopoulos Gallery in Athens, Greece artist Kostas Sahpazis (b. 1977) offers The Gift of Screws which opened on May 30th and is on view until July 30th, 2012. Working with various material constructs, the artist brings together such mediums as neon, leather, rubber and charred wood in what the gallery Press Release describes as reverieobjectified: a metonymy for the free fall of materials and their rapid rescue. In a direct reference to a 1863 poem titled Essential Oils by Emily Dickinson, Sahpazis references the final line in the first stanza, "It is the gift of screws". Where Dickinson is referring to (according to my online research) the essence of a rose after it has been pressed or "screwed" and the remaining oil that lasts beyond the death of the flower and even in some cases a person. What the artist references in his visual execution of the text is a claim of simplicity and a yearning for natural materials that can also be used to remind us of something else or a moment yet to occur. Here, molded iron alludes to curled or rolled leather, while neon is less about light and more about a dissection of space via a confluence of raw materials and perpendicular linear interjection of space. 


Kostas Sahpazis, Second Connection (foreground), 2012
Yellow fluorescent tubes, steel, leather,
plexiglass, fittings, cabling, transformer
Leathers, (background), 2012
Iron, spray paint
Photograph by Katy Hamer
Emily Dickinson: Essential Oils (1863)
ESSENTIAL oils are wrung:The attar from the roseIs not expressed by suns alone, It is the gift of screws.
The general rose decays;But this, in lady's drawer,Makes summer when the lady liesIn ceaseless rosemary. 
In a contemplation of time, along with remnants we leave behind, Kostas Sahpazis attempts to use contemporary pairings of materials that allow for a poetic interlude and even without the reference to the Dickinson poem, an intertwining of lyricism of life and death. Personal favorites are Let's Meet at 3am and Second Connection, both 2012, each containing neon light and not only glowing with an eerie presence in the gallery but also functioning as a drawing (the neon offering a linear interaction) and sculptural object.  Sahpazis has been included in group exhibitions at the gallery before but as stated previously, this is his first solo exhibition. His work was a pleasant surprise in Athens especially under the circumstances of the political/economic state. Reminding me of the recent Hanna Liden exhibition at Maccarone Gallery in New York, Sahpazis also is able to create an active dialogue in a gallery context with objects that are subtle, mostly monochromatic, and made of simple materials. I look forward to seeing more of his work, whether in Athens or beyond.
Thank you to Andreas Melas for meeting me by appointment in Athens and spending time at the exhibition and gallery.

Kostas Sahpazis, The Practice of Go (foreground), 2012
Leather, jesmenite, plexiglass, iron, varnish, wood
Untitled (background), 2012
Resin, polyester, leather, iron
Photograph by Katy Hamer

More soon!xo

D E S T E FOUNDATION: HYDRA & ATHENS, GREECE

To contact us Click HERE
The DESTE Foundation, Project Space
Hydra, Greece, 2012
Photograph by Katy Hamer

The DESTE Foundation, Project Space, Animal Spirits
Small Side Gallery view
Photograph by Katy Hamer, 2012


The DESTE Foundation, Project Space, Animal SpiritsFolkert de Jong, Sculptural installationPhotograph by Katy Hamer, 2012
The Deste Foundation Project Space was founded in 2009 on the small, yet chic Greek island Hydra. Currently on view in the former slaughter house is a group exhibition from Dakis Joannou permanent collection. The exhibition presents a selection of works from contemporary artists ranging from digital drawings by Paul Chan to a zombie head from Folkert de Jong. Animal Spirits, at once leads the viewer into the "Slaughter house" expecting to find remnants of all the animals that had been killed years earlier. It is said that while still active, there was a steady mixture of blood and water spilling out into the nearby sea by way of a pipe that still extends from the small structure. Instead Animal Spirits is a rather political show focusing on a selection of works including, but not limited to, Tom Sachs reproduction of the Presidential symbol, Paul Chan's graphite drawing of Saadam Hussein (also part of an illustrated iBook and exhibition called "How to download a Boyfriend), and a series of Adam Helms silk screened militia soldiers, whose images are pilfered from the vast supply of deceased representations of soldiers and terrorists online. Maybe in this case the "Animal" is the one that lives inside us all; the being that can reveal itself as quiet as a mouse, as kind as a friendly dog, or as cunning as a venomous snake. The exhibition was put together in replacement of another that was to feature Urs Fischer and Josh Smith which was postponed until 2013. However, Animal Spirits comes at a time in Greece when stray dogs are still being fed yet running wild and unlike the rest of the year, as I've been told, the political actions/reactions and/or animal spirits, specifically in Athens, have been kept at bay....since "even protestors need to rest during the summer". 


Animal Spirits is on view at the Deste Project Space until September 2012.  

The group exhibition includes works by: Huma Bhabha, Paul Chan, Folkert deJong, Sam Durant, Adam Helms, Christian Holstad, Cameron Jamie, KimJones, Panos Koutrouboussis, Dominique McGill, Tom Sachs, William Scott,Dash Snow, and Kelley Walker. 

The DESTE Foundation Project Space, Animal SpiritsAdam Helms, Installation viewPhotograph by Katy Hamer, 2012
********************************************************************************* 
Pawel Althamer, Massimiliano, 2012
Plastic on metal wire construction
polyurethane foam, acrylic resin
Installation view DESTE Foundation, Athens
Photograph by Katy Hamer

Pawel Althamer, Dakis, 2011
Plastic on metal wire construction
Installation view DESTE Foundation, Athens
Photograph by Katy Hamer
The exhibition at the DESTE Foundation Athens is quite different from the show in Hydra.  On the second floor is work by Pawel Althamer (b. 1967). The first gallery presents a several sculptures from the series titled Almech, making direct reference to famous art world personalities, including Dakis Joannou himself. The second and third galleries on this floor offer a more broad look at the career of the artist and his performative gestures that usually result in free-standing sculptures. Also hanging in the third room are metallic paintings by young, American artist Jacob Kassay made using photo chemicals on canvas. It was in the first gallery, where my attention was held the longest and I felt a giddy sickness, later learning it was the fault of Urs Fischer's Death of a Moment, 2007, permanently installed paneled mirrors that subtly move with the power of hydraulics and give the space a the feeling of being on a slow moving ship. For Althamer's Almech, originally commissioned by the Deutsche Guggenheim for an exhibition in 2011 and continued into 2012, the artist made molds of his subject's face, then constructed what could be thought of as a bizarre body forms, somewhat robotic in gesture, frozen in whiteness. Recognizing New Museum curator Massimiliano Gioni, along with artists Jeff Koons, Urs Fischer, Maurizio Cattelan and others assisted in making each piece oddly humorous. Althamer's work tends to focus mostly on the male gender, but it would have been nice to see Marina Abramovic or Marilyn Minter hanging out with what feels like a "boys club" taken at face (ahem) value. Regardless, the way that the artist has focused on and formed each sculpture is humorous. The artists are identified by first name only via the title of the each sculptural work and hint towards a monumentalizing of the subjects but also rather than lending to a heavy sense of substantial grounding, the works seem somewhat delicate as if they could easily be  knocked down.  In fact, the sculpture of Massimiliano Gioni, one of the most interesting and powerful curators-also curating the 2013 Venice Biennale, is shown as a "Christ-like" figure on a fallen cross. However, rather than poking fun at his subjects, Althamer allows each figure the opportunity to have an outer body experience, becoming a ribbon, floating and sometimes falling. Dakis Joannou, portrayed as an American indian chief, seems to survey the scene and as a admirable chief should, bows his head in humble approval, appearing to say "Όλα είναι καλά".  

Pawel Althamer, Jeff, 2012
Plastic on metal wire construction,
polyurethane foam, acrylic resin
Installation view DESTE Foundation, Athens
Photograph by Katy Hamer
Pawel Althamer with Urs Fischer, Jacob Kassay & Jacub Julian Ziolkowski is on view at the DESTE Foundation Athens, from June 20th - October 31st, 2012

Also at this location is:
Collecting Architecture - Territories: The Athens Minutes in collaboration with Columbia University's Graduate School of Architecture, Planning & Preservation

More soon!xo